1) Cut
a piece of batting the size of the quilt you want to make. (you can use good quality flannel, if you don't have batting)
2)Cut
some backing fabric that is a half-inch larger, in each direction, than the batting.
3)Lay
your backing fabric face-down. Place the
batting on your backing fabric so equal amounts of fabric stick out on all four
sides. You can either pin, stitch-baste,
or spray baste the batting to the backing.
4) Turn and press the edges of the backing over, to the top side of the batting. When this is done, you are ready to add your fabric scrap patches to the top.
5) Start with a full bobbin that matches the color of your backing fabric.
I
recommend using a walking foot to make this quilt, particularly the first time
around the outer edge. Sew a 1/8 inch from
the edge. You will see how close I get (to the edge) in about six photos down.
6) Decide which few fabric pieces you want to start with, then press under two sides of each fabric patch. One will go on the edge of the quilt, and one will cover the raw edge of the previous placed piece.
This
is my starting piece. Flip it to match
the corner, as in the next photo.
I placed my first piece at the bottom left of the quilt. I am always directional, and that is my hang-up. You can start at any corner you want.
7) start sewing at the corner. See the photo, above. It looks like I am about to run out of fabric . . .so I will add another piece.
8) Place the next piece of fabric with one turned edge overlapping the raw edge of the prior piece, and the other turned edge along the edge of the quilt. Then continue sewing along the edge of the quilt.
9) Just keep going, in this same fashion. When you come up to the next corner, you will need to turn under three sides of your patch, so you can effectively go around the corner. After you have turned all the corners and are making the last patch to join up to the first patch, the last patch will have to have three turned under sides, so the last piece edge can lay over the raw edge of the first piece you sewed down. nb: you can always do it the other way round, as long as one of the pieces has a turned edge to cover a raw edge.
Let’s pause here. Back stitch and snip your threads. Have a look at what you have so far.
It should look something like this. You can celebrate because the binding is all done!
This photo shows how close I got to the edge of the quilt. Since the quilt was placed on my design wall, to photograph, it is hard to realize the fabric on the left is not part of the quilt. It is my design wall.
I flipped up the edge of the quilt, so you can see what it looks
like on the back, at this stage. See how
close the stitching is, to the edge.
10) Use the width of your presser foot to create more quilting that runs straight and parallel to the previous seam you put down. You can adjust your needle more to the right, if you wish to make it ¼ inch between stitch lines. *I left mine a little wider, but next time I will not.11) Go all the way around, pivoting at the corners. Then start the next stretch of quilting, still using the width of the presser foot as a guide. This photo makes it look pretty straight.
12) Sewing up to the narrowest piece . . . Just add another patch. Snuggle the new patch around the turned edge of the one you need to extend.
Just keep sewing around, placing patches as you go.
13) Keep a few things in mind, as you piece/quilt your quilt top:
1) look ahead and see where you might want another piece of your favorite fabric. You can always safety pin it to the location you want it in, so it is there when you get around to that point. 2) be on the lookout for raw edges, make sure they are covered with a turned edge. 3)sometimes you need three turned edges on a piece. 4) You can place a larger piece of fabric in the middle, like Astrid did on hers (below). Then you continue to frame the central piece with turned edge pieces.
Astrid used an interesting piece of fabric for her focal point, a little off-center. If you choose to do this, just make sure the pieces that overlap the central piece, have turned edges. You can click on the photos to enlarge them.Here
I just turned a corner, note how I did not put another long piece next to the
brown and orange? I put the pink mottled
piece, then a b&w piece. This is a
good way to break up the design a bit.
Just
keep going.
I
also practice “inventive stitching”, which one can use as an embellishment, if
the need arises. I decided the corners
on this black bit of fabric needed to be secured, so I stitched a square
here. I used this maneuver as a reason
to make four more, as embellishments, but I needed them.
If you look carefully, you can see I used three of the large orange butterfly prints in a random layout. The one with the angle is my favorite.
Tools I found helpful with this quilting process: purple thang and unicorn tweezers
*Let’s talk about all
the stitching we are laying down here. I
see it as having three ways to be handled:
1)
just sew the seams straight and if they miss the edge of a piece of fabric, oh
well. That is character. 2) aim to snag as many of those edges as
possible so they all lay flat, even if you end up having some not straight
lines of stitching. That is what I did
on this one. It is not that noticeable,
and where it is just gives it character.
3) try to only put the next piece of fabric on where it will be “in line”
to get that seam right on it’s edge. I
have not done this, but I feel it would remove a ton of character from the
quilt. It is worth a try. One thing I whole heartedly believe in is “EXPERIMENTATION.”
This shot shows the stitching on the back. It does not look so bad, even though I jogged a little, one way or the other, to make sure I sewed those turned edges down.
I really like how this turned out. I have thought of a couple other ways to vary my outcome, so I am writing them down. I am excited to make some more. Experiment!