Jane has Completed a Liberated Shu-fly Quilt!

Jane here.  I've been working on a liberated quilt with shu-fly blocks.  I used red for a background, like Freddy Moran would do.  I just used scraps to make it, and did a cheaty binding that I hand-stitched on the front with some thick thread that has little bits of pink now and then.

I placed the blocks on-point.  I quilted it myself.  On to the next project!

Jane's Second Tribute to Gwen Marston Quilt

Kirsten here.  Jane has completed another tribute quilt in honor of Gwen Marston.  One of the many quilting things Gwen did, was collecting old/antique blocks then making quilts with them or in the style of them.  Jane has a pile of these hand-pieced nine-patch blocks.  She has no idea how old they are or who actually did them.  She got them from Vesta, but she is not sure Vesta did them or if she collected them from someone else.  That is just the thing; we get blocks from people who have passed away, or we get them at quilt shows or yard sales.

Here is Jane's latest completed quilt.  She is really good at piecing, the blocks, on-point.  She just got the binding on it on Sunday.  We had a little back-yard BBQ, so she was able to show it off to the gang.   

Jane's Tribute to Gwen Marston

Astrid here, again.  It seems Jane has been working uncollaboratively on this solid-colors quilt.  She finished it last night and brought it over today, to show me.  Jane loves the many quilts designed by Gwen Marston.  Gwen Marston was born in 1936 and passed away in 2019.  She has had a huge impact on thousands of quilters, worldwide.  I feel that her biggest contribution to quilting was her gift of inspiring other quilters to break away from patterns and design their own quilts, while developing their own styles, which grew out of the traditional.

This is Jane's first quilt using all solid-colored fabrics.  It looks magnificent!  She said she was playing around just sewing different colored pieces together and then cutting them and reassembling them.  When she put them on her white design-wall she had a little space between them and decided she liked the white breaking up her blocks, so that is how she improvised her own quilt design.

Jane's Confetti Quilt: Pockets Full of Posies

Jane here.  I have been looking through some of the amazing quilts that Kirsten has completed, and I got inspired.  One of my favorites is her confetti quilt.  The quilt is constructed by making the back, cutting the batting to fit the back, and making a solid top.  You sandwich those three pieces first, then you cut smaller pieces of fabric to just sew on to the top of the sandwiched layers.  The stitching that you sew around each small piece, is also the stitching that quilts the whole sandwich together.  This is known as "killing two birds with one stone", or "quilt-as-you-go".  

It is just another way to quilt-as-you-go.  The pieces, sewn on top, just have raw edges, and that is okay.  You could just use a bunch of small scraps to stitch on the top, and you would not have to cut any fabric down.  I used some scraps on mine, just the size they were, but I also fussy cut some flowers and some pocket shapes.  I, also, overlapped some of my pieces.  It is the same type of technique as Kirsten's, but they look completely different.  That is one of the great things about quilting.  You can add your own style!  To view Kirsten's confetti quilt, click here.

Jane's January Tutorial

This tutorial will teach you how to make a Kawandi quilt.  An important part of Kawandi quilting is using what you have on hand.  Use fabrics, thread, and batting that you have on hand, if at all possible.  You can cut up old clothing, if you do not have any fabric scraps.  Go to the thrift store.  If you have a sewing machine, use it.  If not, sew it by hand.  

The odd thing is, in 2023, I did my tutorial on "quilt-as-you-go".  It turns out that Kawandi quilting is just another way of quilting-as-you-go.  The great thing about Kawandi quilting is:  you finish the binding first!

This is a great way to use scraps.  If you have scraps, use them.  If you don't, ask for a bag of scraps from a quilting friend.  If you have no quilting or sewing friends, what a great opportunity to make some!  Trust me, there are tons of quilters out there, who would love to give you some of their scraps.  Ask on Nextdoor or the local quilt guild.

1) Cut a piece of batting the size of the quilt you want to make. (you can use good quality flannel, if you don't have batting)

2)Cut some backing fabric that is a half-inch larger, in each direction, than the batting.

3)Lay your backing fabric face-down.  Place the batting on your backing fabric so equal amounts of fabric stick out on all four sides.  You can either pin, stitch-baste, or spray baste the batting to the backing.

4) Turn and press the edges of the backing over, to the top side of the batting.  When this is done, you are ready to add your fabric scrap patches to the top.

5) Start with a full bobbin that matches the color of your backing fabric.

I recommend using a walking foot to make this quilt, particularly the first time around the outer edge.  Sew a 1/8 inch from the edge.  You will see how close I get (to the edge) in about six photos down.

6)  Decide which few fabric pieces you want to start with, then press under two sides of each fabric patch.  One will go on the edge of the quilt, and one will cover the raw edge of the previous placed piece.

This is my starting piece.  Flip it to match the corner, as in the next photo.

Making a Kawandi quilt is like putting together a puzzle: you start with all the edge pieces first!

I placed my first piece at the bottom left of the quilt.  I am always directional, and that is my hang-up.  You can start at any corner you want.

7) start sewing at the corner. See the photo, above.  It looks like I am about to run out of fabric . . .so I will add another piece.

8)  Place the next piece of fabric with one turned edge overlapping the raw edge of the prior piece, and the other turned edge along the edge of the quilt.  Then continue sewing along the edge of the quilt.

9)  Just keep going, in this same fashion.  When you come up to the next corner, you will need to turn under three sides of your patch, so you can effectively go around the corner.  After you have turned all the corners and are making the last patch to join up to the first patch, the last patch will have to have three turned under sides, so the last piece edge can lay over the raw edge of the first piece you sewed down.   nb:  you can always do it the other way round, as long as one of the pieces has a turned edge to cover a raw edge. 

Let’s pause here.  Back stitch and snip your threads.  Have a look at what you have so far. 

It should look something like this.  You can celebrate because the binding is all done!

This photo shows how close I got to the edge of the quilt.  Since the quilt was placed on my design wall, to photograph, it is hard to realize the fabric on the left is not part of the quilt.  It is my design wall.

I flipped up the edge of the quilt, so you can see what it looks like on the back, at this stage.  See how close the stitching is, to the edge.

10)  Use the width of your presser foot to create more quilting that runs straight and parallel to the previous seam you put down.  You can adjust your needle more to the right, if you wish to make it ¼ inch between stitch lines.  *I left mine a little wider, but next time I will not.

11)  Go all the way around, pivoting at the corners. Then start the next stretch of quilting, still using the width of the presser foot as a guide.  This photo makes it look pretty straight.

12)  Sewing up to the narrowest piece . . .  Just add another patch.  Snuggle the new patch around the turned edge of the one you need to extend.  

Just keep sewing around, placing patches as you go.

   

13)    Keep a few things in mind, as you piece/quilt your quilt top:

1) look ahead and see where you might want another piece of your favorite fabric. You can always safety pin it to the location you want it in, so it is there when you get around to that point.  2) be on the lookout for raw edges, make sure they are covered with a turned edge.   3)sometimes you need three turned edges on a piece.  4)  You can place a larger piece of fabric in the middle, like Astrid did on hers (below).  Then you continue to frame the central piece with turned edge pieces. 

Astrid used an interesting piece of fabric for her focal point, a little off-center.  If you choose to do this, just make sure the pieces that overlap the central piece, have turned edges.  You can click on the photos to enlarge them.

Here I just turned a corner, note how I did not put another long piece next to the brown and orange?  I put the pink mottled piece, then a b&w piece.  This is a good way to break up the design a bit.

Just keep going.

I feel like I am about half-way done.  As I add pieces, I think about if I need a light, a bright, or a dark next.  I practice "planned randomness".

I also practice “inventive stitching”, which one can use as an embellishment, if the need arises.  I decided the corners on this black bit of fabric needed to be secured, so I stitched a square here.  I used this maneuver as a reason to make four more, as embellishments, but I needed them.

Here is the end result of my labors.  As soon as I sewed the final piece of fabric on, my quilt was finished!  That last piece was a bit tricky, because I thought I could have one turned edge, and the other three would go beneath the neighboring turned edges, but it was not to be.  My final piece has four turned edges.

 If you look carefully, you can see I used three of the large orange butterfly prints in a random layout.  The one with the angle is my favorite.

Tools I found helpful with this quilting process: purple thang and unicorn tweezers

*Let’s talk about all the stitching we are laying down here.  I see it as having three ways to be handled:

1) just sew the seams straight and if they miss the edge of a piece of fabric, oh well.  That is character.  2) aim to snag as many of those edges as possible so they all lay flat, even if you end up having some not straight lines of stitching.  That is what I did on this one.  It is not that noticeable, and where it is just gives it character.  3) try to only put the next piece of fabric on where it will be “in line” to get that seam right on it’s edge.  I have not done this, but I feel it would remove a ton of character from the quilt.  It is worth a try.  One thing I whole heartedly believe in is “EXPERIMENTATION.”

This shot shows the stitching on the back.  It does not look so bad, even though I jogged a little, one way or the other, to make sure I sewed those turned edges down. 

I really like how this turned out.  I have thought of a couple other ways to vary my outcome, so I am writing them down.  I am excited to make some more.  Experiment!